A 3D printed modular column titled “Duality of Pores and skin and Core” is presently on show on the Venice Biennale 2025 as a part of the Time, Area, Existence exhibition within the Marinaressa Gardens. The set up was designed by Assistant Professor Cristina Nan of Eindhoven College of Expertise and Architect Mattia Zucco, who focuses on computational design and robotic fabrication. The mission extends their ongoing Computational Concrete Columns-Sequence work.
The column’s design intentionally exposes the inner construction by a slit within the outer masking, creating a visible distinction between the “pores and skin” and “core” parts. The core includes a gradient orange-red shade whereas the outer pores and skin stays gray, highlighting the aesthetic potential of structural parts. Dutch firm Vertico dealt with the large-scale 3D printing, whereas German firm Lanxess equipped the supplies and pigments for the mission.
Not like conventional 3D printed concrete constructions which are sometimes monolithic, this column makes use of a modular method impressed by historic Greek and Roman columns made out of stacked drums. The modular design permits for simpler transportation, disassembly, and reassembly, which may cut back building waste and enhance flexibility for future installations.
The exhibition is curated by Carlo Ratti and runs from Could 10 to November 23, 2025, offering guests a chance to view the intersection of structure, expertise, and computational design. The mission represents an exploration of how 3D printing expertise could be utilized to architectural parts whereas sustaining aesthetic concerns sometimes related to conventional building strategies.
Supply: parametric-architecture.com